Wednesday, December 19, 2018

Winter Plein Air

I just built a new easel to use, and am going to put my french easel to rest. These two paintings were some of my last on the french easel.

I have had 9 french easels, and my favorites have been the original Jullian, and the Mabef M22. I am pretty hard on my easels because I mix with a knife, so there is a lot of weight on the palette. French easels are too short for me, and I am tired of leaning over them to paint. I don't mind the wing nut's, but will say that my new easel is much easier to set up and take down than the french easel. I'll post about my new easel soon! 

Tim Harms' Cows in Pastel

Here is another pastel, this time of my neighbor's cows. It's my farm in the background. This one features a gouache and watercolor underpainting, on the cool grey colourfix paper. It's hanging in my house right now.

Winter Forrest

Here is a pastel painting that I did a month or so ago. The top photo shows my gouache underpainting. I will use either gouache or watercolor to make a tonal underpainting, and then dig into the pastels to lay in some color.
This painting was inspired by a day of Cross Country skiing at the Hartje Center.

Pastel Paintings

There was a lot of cloudy days in November, and I decided to work in my studio in a new medium. I love to paint in oils, but I normally like to be outside working en plein air. I just like being outside, and oils work well outdoors because they remain workable during the duration of a painting session. I don't like using oils in my studio very much. I bought a set of pastels to try out in the studio, and I'm glad that I did. These are the first 3 pastels that I made, and it's fun to just be able to grab a stick instead of mixing a color.
Painting is all just shapes of value and to a lesser extent color. I have arranged my pastels according to value. So once I know my target value, I just choose what color will work well for what I want to do. The toned colors of the sanded pastel paper are also lovely to work on. I usually do a watercolor underpainting on the sanded paper, before laying the pastels down. I find that it's very fun to work that way.

James Schneider's house in Gotham

My Cousin James grew up on the farm next to the one that I live on. He has a historic house in Gotham, Wisconsin. I painted it over a couple of days in November. He received it as a gift for Thanksgiving. He took down a painting on his wall and put this one up in it's place.

Farm Chairs

This is a painting that I did in the springtime. I was painting a lot during the week that I made this one, I remember that it was my third painting of that day. When the sun is shining and the colors of spring are in bloom, it's almost like you have to paint all day. The best part of working on a few a day is that by the end of the day, your brush just does what it wants. Your brain is no longer a part of it. I used a think and chunky flat brush in size 12 to paint this one. It's a 14x18" panel, and I sold it to a friend of mine.

Dandelions in Gouache

This is a little gouache painting that I did on my front yard of the dandelions. Gouache has the best qualities of watercolor and oil painting all in one medium. You can start with transparent watercolor painting, and then layer up opaque paint on top. I would probably do more gouache painting if the tubes were not so small.

Devils Lake State Park in Baraboo en plein Air

This was a painting that I made at Devils Lake in the Autumn. It was the first time that I had painted in a couple of months. This break was because of a work commitment, but I'll take a week or two off from painting whenever I feel like it. It always seems like you come back with a new energy.

This painting was started on a pink toned canvas. I toned this canvas with acrylic paint, and it got a little pinker than normal for me. It was fun making it work and it felt good to be outside painting.

Monday, October 22, 2018

The Country Today Interview

Color and light: Sauk County artist Kyle Martin makes rural scenes come to life 

posted Oct. 8, 2018 9:02 a.m. (CDT) email article print font size - + by / Story by Brooke Bechen,

 ROCK SPRINGS — 2008 was a life-changing year for 37-year-old Kyle Martin. In June, Martin’s grandmother lived out at the family farm and had to be evacuated after historic flooding; his father worked quickly to move cows, keeping the heifers and calves in an old chicken coop. In the days that followed, Martin’s father rode a boat out every day to feed the animals in the coop — they stood in water for three days, but they all survived.

Martin was working as a graphic designer in 2008, but the company folded unexpectedly, leaving Martin out of a job. His father also passed away in 2008 after an accident at the farm.

 But 2008 was also the year Martin started painting every day. And it was the year he decided to return to school to pursue a degree in art education.

 Kyle Martin grew up in Reedsburg, the son of a farmer. His father worked each day on the family farm, milking 25 to 35 cows during a time where “everyone had cows and everyone milked,” he said. His mother grew up there, too, with the farm in her family for more than 100 years and the road it sits on — Schneider Road — bearing her family’s name.

 “When I was a kid, I milked cows before school and would look out at the barnyard and see all the colors transformed,” Martin said. “When the sun comes up, everything is bathed in this golden light.”

 Martin now lives on the farm, and after some coaxing from his mother, has remodeled the old chicken coop that once served as a safe haven for cows during a flood into his art studio. And while the cows are now gone, 40 acres continue to be cropped by renters, with 100 acres of river, marshes, natural springs, birch forests, sand beaches and more all available to serve as subjects for Martin’s plein air impressionist-style paintings.

 Some of the farm land is bordered by the Baraboo River, with lots of marshy areas to explore. During the winter months, Martin and his dog, Porter, venture out a bit more; with everything frozen, it’s easier to get to areas that may not be accessible during the warmer months. One of his favorite spaces is a clearing where a little winding stream runs through and where wildflowers pop up in all colors in the spring.

 But when Martin isn’t walking his own land, he’s cruising the backroads of Sauk County, looking for scenes that jump out at him with their perfect balance of color and light. With his easel, paint box and other materials crammed in the back hatch of his car, Martin pulls over, sets up his easel and gets to work.

 “Painting outside really helped me discover the countryside and discover what was out here,” he said.

 It also gives him exposure as an artist.

 “I’m outside painting so people see me,” he said. “It’s not every day you see someone out in a field painting.”

 Sometimes, Martin even packs everything up and paints at night, attaching a lamp to his easel and painting by moonlight.

 While his subjects vary, Martin cannot deny that his landscape paintings are popular. However, he’s drawn to painting barns and farm scenes, partially because of his childhood on the farm but also because barns are disappearing from rural landscapes, many barns are red and contrast beautifully with a green landscape and the shapes of barns are interesting to the eye.

 “Barns also show human work,” he said. “And they create connections with people — that’s the real beauty of it.”

 Many of Martin’s paintings have been featured in local galleries, but the public also has a unique opportunity to connect with Martin through the Fall Art Tour, celebrating its 25th year in southwestern Wisconsin in 2018. Featuring almost 50 different artists in their often private studios, the self-guided Fall Art Tour is scheduled for Oct. 19-21.

During the tour, Martin will be in his chicken coop studio — its walls adorned with close to 100 framed paintings for sale. He has been participating since 2011 and is also involved with a core group of artists who work on marketing, making the brochures and planning infrastructure for the tour.

 “You don’t realize how huge it is until you go on it,” he said. “I get 800 people out here in rural Rock Springs.”

 The Fall Art Tour is Martin’s biggest event of the year, drawing people from near and far to the area. He enjoys meeting the people who visit; for many of them, memories are sparked upon seeing his paintings.

 “They just love it; when they get out here and step out of their car, they just connect with the place,” he said. “And for them, meeting me is part of it, too, as I can tell the story of the painting.”

 Martin also makes connections with local youth as he is an art teacher in the Baraboo School District. He lends his graphic design talents to those assembling the yearbook, too. He aims to instill in his students that painting can be a passion in their lives and it can give them more than what looking at a screen can do.

 Teaching in the district has also given him ambitions to teach others about art and passion. “I’m at a point where I reached my goals and I want to give back,” he said. “I’d like to give the gift of painting to people.”

 Martin and his girlfriend are working on creating a website that features all of his paintings but can also serve as a place for education. He has held painting workshops in the past and would like to continue teaching those workshops in the future.

 “When you’re in the golden hour, you really feel alive,” he said. “I want more people to be able to enjoy that.”

Tuesday, October 9, 2018

2018 Fall Art Tour

Grote Hill Road - Late Light
There was some terrible flooding in my area over the past couple of months. In September, my farm flooded twice in two weeks. It was not quite as bad as in 2008, but it was close.
One bad part of the flooding, that I wouldn't think of, were the mosquitos. All that standing water gave them the perfect environment to multiply. 
I painted this view of a barn on Grote Hill, during the flood. It was higher ground than my farm, and I ended up out in that area for several evenings. Every night, at 6pm, the mosquitos would pay a visit, and make it unbearable to work. Even though it was hot, I wore a hooded sweatshirt and gloves to keep them away. 
As uncomfortable as they made me,  they may have helped me keep this canvas simple and graphic. It is easy to see and paint too much as a painter, and I think this work retains my first impression of the scene.
The mosquitos are not as bad now, since the temperatures have dropped.

Grote Hill Road- Late Light $500 framed. 14x18"

Terrytown Farm 
When I paint on location, en plein air, I pull my car over and set up my easel in the ditch. I see some interesting people when I am out painting. On this day, a woman commented that she had seen me out on Terrytown Road painting several times over the years, and that she couldn't believe that I would paint such an ugly location. Her opinion of the road made me realize that my optimistic view of cluttered farm yards is not universal. I never have thought of Terrytown Road as ugly, or any of the farms that are on it. I simply see shapes of color and compositional opportunities. 
Terrytown Farm 12"x16" $450 framed

Frozen Stream
I found this little painting when I was cleaning the Chicken Coop Studio for the tour. It is a stream on my farm from last December. The meandering stream was frozen, and a little bit of snow was on the surface. This made a stark contrast from the darker tones of the forrest and ochre grasses. 
I love painting on overcast days during the late autumn and winter. The ochres and violets are so interesting during that time of year. I also paint on my own property quite a bit during those months, because that is the only time of year that I can get around the marshy areas because it's too muddy during the warmer months.

Frozen Stream-  8x8" $200 framed.

Terrytown Farm - Afternoon Light
I was working on this canvas in July, with my umbrella over me. I stand under an umbrella when I paint, to keep the sunlight off of my canvas and my palette. If you paint with sun on the canvas, your color will look very vivid and bright while you are outside, but once you hang it on the wall in your studio, the colors will sink and look very grey and dark. It's not easy to use an umbrella with any wind, but I would rather struggle with it blowing away than muddy colors.
Terrytown Farm - Afternoon Light 22x28" $750 framed.